The hectic adventures of D’Artagnan, a young provincial noble who just comes to Paris to enter the musketeers. He will meet action, love, hate, the king and the queen as his impetuousness gets him involved in political plots. and of course virile and indestructible friendship with the three musketeers Athos, Porthos and Aramis.
"The Three Musketeers" is unarguably an journey film of great bodily magnificence and quite a bit of narrative power. It stands just after "The Best Years of Our lives" as one of many first Technicolor "A" films that broadened the palette used by filmmakers to incorporate richness in addition to, say, western or Arabian settings in adventure movies. Watch The Three Musketeers Online To director George Sidney goes much of the credit score for the film's swiftness of tempo and attractive visual parts. With cinematography by Robert Planck, art route by Malcolm Brown and the great Cedric Gibbons, elaborate set decorations by Edwin B, Willis and Henry Grace, and costumes by legendary Walter Plunkett, the film moves from rustic scenes to sumptuous interiors through scenes of swordplay which can be often stunning.
Add makeup by Jack Dawn, hair designs by Larry Germain and Sydney Guilaroff, sound by Douglas Shearer and Herbert Stothart's unique music and use of Tschaikovsy themes–and the result I suggest is a fairly satisfying viewing experience. But the plot has one thing more, maybe, as nicely.
The original Alexandre Dumas's (the father) storyline as handled by Robert Ardrey's screenplay comes out as an clever but considerably satirical-cynical look at life in the France of the time of Cardinal Richelieu and King Louis XIII.. In adopting an objective, light-hearted tone, similar to that in "North By Northwest', the producer Pandro S. Berman and the writers gain for the movie the flexibility to do memorable comedy as well as sometimes far-extra-severe scenes. What is lost in concentrated dramatic power is made up fin such an journey if the actors are capable of make investments its goings on with the seriousness of their taking it severely, bringing it to life professionally.
I recommend that within the lavish production, this degree of artistry was virtually in every single place achieved. The big forged features such attractive artists as Angela Lansbury because the Queen, John Sutton as Buckingham, June Allyson very-properly-used as Constance, Robert Warwick as D'Artagnan's father, Keenan Wynn as Planchet the servant, Reginald Owen and Ian Keith, Patricia Medina and Richard Wyler.
In featured roles, one can get pleasure from stellar work by Robert Coote as Aramis, Gig Young as Porthos, Frank Morgan as the King and Gene Kelly as an athletic and often lyrical D'Artagnan. However the performing honors in the movie belong to actor worthies Van Helfin, who dominates within the role of the onerous-drinking Athos and Vincent Price, who makes immense quantities out of what he’s allowed to do as an understated Richelieu. The curious casting is that of engaging Lana Turner as Woman De Winter; she is not succesful yet of classical work, but she suggests some of her half's potential depths. This well-known story of the younger Gascon becoming a member of the three greatest swordsmen in France and learning extra about life than he had bargained for is here given as much power perhaps as it could handle; and wealthy scenes of sword battles, interpersonal misunderstandings and a sense of controlled importance makes, I suggest, the story's dark moments memorable and the enjoyable more important than it may need been. I find this to be a masterly understatement of a truly classic adventure.